“One Has To Be Fake To Recognise Fake People” — Shatta Wale

Ghanaian dancehall artiste Shatta Wale has responded to recent online controversy sparked by a cryptic social media post widely interpreted by fans as a subtle jab at him and rapper Sarkodie, following their appearance alongside Stonebwoy and others at Kweku Smoke’s London concert.

Speaking in an interview with UK-based Nigerian media personality Adesope Olajide, Shatta Wale dismissed the speculation and said he was unfazed by the post, which had generated heated debate across social media platforms and reignited conversations about long-standing rivalries in Ghana’s music industry.

According to him, the message did not apply to him personally, insisting that only those who identify with such behaviour would feel attacked.

“One has to be fake before they recognise another fake person,” he said during the interview, suggesting that the criticism being circulated online was being misinterpreted by fans.

He further stressed that he holds no grudges against any industry colleague and remains consistent in showing genuine support where necessary. “I didn’t see anything wrong with it, and I didn’t take it personal. I’m not fake. I show real love to anyone I like,” he added.

Shatta Wale also used the platform to reflect on the broader challenges facing Ghana’s music industry, particularly the persistent narratives of rivalry among its leading figures. He called for unity and collaboration among top artistes, noting that such divisions often distract from the industry’s progress and global competitiveness.

He specifically mentioned himself, Stonebwoy, Sarkodie, and veteran reggae-dancehall artiste Samini as key figures who should be setting an example by working together rather than being drawn into cycles of public disagreement.

“The narratives of rivalry are becoming too much. We need to move beyond that and focus on building the industry together,” he said.

His comments come at a time when Ghana’s music scene continues to experience heightened fan-driven comparisons and online debates, often fuelled by social media interpretations of artistes’ posts and public interactions.

Observers say such exchanges frequently overshadow collaborative achievements and shift attention away from the growing international recognition of Ghanaian music.

Despite the controversy, Shatta Wale maintained that he remains focused on positivity, creativity, and supporting the growth of the industry, urging stakeholders and fans alike to prioritise unity over division.