Defining gospel music: Industry experts weigh in
The definition of gospel music has sparked considerable debate among music industry stakeholders, with some distinguishing between gospel music and Christian music. While gospel music is often seen as focusing specifically on the life of Jesus Christ and his teachings, Christian music is thought to encompass a broader range of themes related to the Christian faith.
Some theologians argue that the identity of the artist behind a song plays a crucial role in determining whether it should be classified as Christian or gospel music. Gospel musician Akesse Brempong, speaking on Joy FM’s Showbiz A-Z, expressed that God can use anyone or anything, even a donkey, to spread His message.
“Some of the songs that gospel musicians have recorded would surprise you if you knew the writers. I believe that if God can use a donkey, He can use anyone He chooses,” Brempong said.
The “God is Working” singer also emphasized that God can inspire anyone to offer praise and worship, even if Jesus is not explicitly mentioned in the lyrics. He pointed out that the essence of gospel music is to reflect the ideals of Jesus Christ, even if His name is implied rather than stated.
During the same show, hosted by Kwame Dadzie, Hope TV’s Channel Manager, Nii Ayite Hammond, weighed in on the discussion by referencing Kwabena Kwabena’s latest single “Fakye Me,” which features gospel artist Obaapa Christy. Contrary to popular belief, Nii argued that the song is not gospel, despite its themes of forgiveness and the involvement of a gospel singer.
“The mention of God in a song doesn’t necessarily make it gospel. People worship different gods. Just because a song features a gospel artist doesn’t automatically categorize it as gospel. It could simply be an inspirational song. If the lyrics are specifically about Jesus Christ, then it’s clear. But when he says ‘ode bone kye,’ is he talking about his wife forgiving him, or something else?” Nii questioned.
He further noted that songs like Mama Esther’s “Kyekyere No” and Sonnie Badu’s “Money Declaration” should not be classified as gospel music either.
Expanding on the concept of gospel music, Nii Ayite Hammond, a former Chairman of the Ghana Music Awards Board, highlighted that the artist’s identity is crucial in determining the song’s classification. “For example, King Paluta’s ‘Aseda’ raises questions because I know him as a secular artist, not a gospel one. I don’t know who he worships. So when he says he’s giving thanks, I wonder who he’s thanking. I can’t automatically assume that ‘aseda’ is directed to the God I worship. With Akesse Brempong, I can make that assumption because he’s openly professed his faith. But with others, it’s not so clear,” Nii explained.
